Monday, August 31, 2009

So I revisited my Jacques Maritain book....

And here's what I found.

1. Maritain, like Wood, thinks that an important element in the work of art is its form/unity. To the extent that the work is one and is a thing, it is good objectively (and i know you don't care about that, Don Pedro!). This would throw many modern artists out.

2. Maritain also places great importance on the 'artistic habit.' This is the grasp that the artist has of the rules of his art. Maritain does not tell what these rules are (he is no artist, although he does know his art history and criticism). He does provide advice on how to teach the habit, however, advocating the use of apprenticeships, not academia.

One of the aesthetic ideas that seems to flow from one and two is that the trained artist, not the philosopher, is the one most qualified to judge the quality of a work of art from his own discipline. Based on the sheer variety of forms and the practical and intuitive nature of the artistic habit, it also seems to imply that the rules for making good art are far harder to articulate and far subtler than something along the lines of "tonality" for example. I can gather nothing about whether or not he would say (as I do) that tonality is superior to atonality, all other things being equal.

3. The artist's primary concern should be to make as good of a work as possible, not to tell a theme, serve a purpose (as in music for relaxation, for example), or make money. Themes and purposes are not bad, but to not ruin the work, they have to be incorporated into the essence of what the art is. If the art is squeezed and stretched to fit the theme or purpose, the art is what we call preachy (Maritain doesn't actually say that, but you can guess it).

4. Art is not the same as morality or prudence or metaphysics. The artist who makes an excellently made sinful work is a good artist but a bad human being. Art is to the making faculty of man what metaphysics is to his mind: both deal with issues of matter, form, and the like. But art does not know them and should not try. It merely makes them.

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